KFJC DJs are masters of the “superimposition,” Cy Thoth’s term for a live mix of multiple records at once. So here’s an advanced challenge:
Choose 42 records. Cue up eight at a time. For each record, using a chart inspired by the I Ching, determine whether to press play, press pause, change its playback volume, or switch it out for another record.
Follow this simple procedure, and you’ll have performed John Cage’s 1952 work Imaginary Landscape No. 5. For this 2015 release from Estuary Ltd., label founder Mark Cetilia (of Mem1, recently added to our library), commissioned fellow artists to create 42 original works to be used as source material for a new imagining of Cage’s piece, here spread over two CDs.
In contrast to the jazz records Cage used to create the original version, Cetilia’s source material is far more abstract. Overall, the tracks on CD1 have a subtler feel – icy drones (T5), ocean waves (T6), glacier caves (T15), electronic birds (T10) and insects (T14), treated piano and guitar, organ (T20), and some serious ASMR mouths sounds (T3) – while the tracks on CD2 are propelled by livelier rhythms, from dance beats to dogs’ barks to noise textures.
At the end of each CD is an instance of Imaginary Landscape No. 5. For the first, Cetilia uses the 42 tracks each pressed onto a 7" record to create an analog version of the piece (CD1-T22). For the second, Cetilia used software to edit the original files to make a digital version (CD2-T22). Each landscape matches the material on its disc, with CD1’s analog version softened by a sea of surface noise, while CD2’s digital version cuts abruptly from one sonic idea to the next. -Lexi Glass
– KFJC (2019)