My practice navigates the unstable terrain of experimental electroacoustic improvisation, leveraging idiosyncratic feedback systems of my own design as a means of exploring the tangible world as perceived in the here and now. As a reflexive practice, my work allows me to investigate the experience of seeing myself see, hearing myself hear. My role is that of an observer and a regulator, guiding these systems with attention placed upon minute changes within them, and reactions to cues from the external world. My work acknowledges shared experience as the locus of artistic creation, calling for an active, and engaged spectatorship. I draw upon critical listening practices as a means for understanding the world I live in, and seek to uncover meaning latent within the interactions between sounds and their environments, whether as compressions and rarefactions of air in natural and architectural spaces, electrical signals and digital code, or transmissions occurring outside the range of human perception.