A while back we reviewed two cds from the LA based duo of Mark And Laura Cetilla, one a collaboration with bigger avant music names (Steve Roden, Jan Jelinek, Frank Bretschneider), the other the duo's own dark sonic concoction, and while the guests on the collaborative record definitely made for interesting listening, we much preferred the Cetillas' work unadorned, a hushed minimal darkness, brooding, and softly caustic, ominous and strangely menacing. The sounds here on their first proper full length LP, seem to be a continuation from the music presented on that CD.
Three longform compositions, of smoldering lowercase sound, what sounds like bowed strings, and reverberating metal, blurred into a murky concoction of shimmering grey thrum and dense softly undulating swells, the vibe is definitely cinematic, conjuring up all manner of bleak and abject imagery, evoking decay, and distance, the drones alive with overtones and constantly shifting layers, noisy in places, but the noise blunted and smoothed out into rough expanses of warm buzz and softly prickly hum. There are moments of pure unfettered speaker shredding noise, but even within these blown out squalls, lurk all manner of rich texture and subtle shading. That said, most of the record is spent in hushed drift mode, the final track the most fully fleshed out, with the original instruments still recognizable, the tones organic and only lightly effected, drifting on a sea of distant blackened shimmer, and softly roiling whir and hiss, before finally smoothing out, into a final coda of warm, dreamy (and still slightly ominous tranquility). Dark abstract loveliness for sure, the sort of thing that folks into Jasper TX, Machinefabriek and Type Records might dig quite a bit.
Limited to 300 copies, each one hand numbered, packaged in super swank matte finish jackets, and includes a download coupon as well.
– Aquarius Records (2012)